It’s pretty safe to say that life was altered for everyone in March 2020. Granted, some were more affected than others, but there’s no denying it was a drastic global change. Whilst the amount of pandemic pieces on rule-breakers and hybrid work conditions has already flooded the internet like some kind of viral movement, beneath them are the unique stories of people who lived through it. For me, it meant the beginning of a career in writing. For Heléna Antonio, it was the birth of her daughter Vita, inspiring her to create the short film ‘2020’.
Written and directed by Antonio, ‘2020’ is the award-winning actress’ first short film behind the camera as well as in front of it. Starring Vita (another first-timer on set following in her mother’s footsteps), ‘2020’ explores the new perspectives and range of emotions that comes with having a newborn during lockdown. Born in Como, Italy and emigrating to London in 2015, Antonio also reflects on her own journey so far as well as changes of perspectives within relationships, such as with her mother who she dedicates this project to.
Bearing this in mind, ‘2020’ acts outside the scope of documentary and fiction, behaving more like a hybrid capturing a moment in time. Shot beautifully in high definition, this poignant piece is really highlighted by vibrant and bright colours – graded by Hugh Howlett. This turns Vita playing with curtains and hanging out in the garden into a cinematic experience, unhindered by government restrictions. Every shot is up close and personal, broadcasting them without filters in an intimate setting so even cold cynics like me are left with a warm feeling.
Overall, this is Antonio’s intention: to share her light with the world when it was needed most. The message of life flourishing in tough times is presented without pretentiousness. Clocking in at a total runtime of three minutes and forty-seven seconds, ‘2020’ provides a captivating snapshot of how parenthood during the pandemic really changes your reality.